Reggie Workman with Special Guest Yayoi Ikawa - Hosted by Keanna Faircloth
NEA Jazz Master Reggie Workman is one of the premier bassists in jazz, performing in mainstream jazz as well as in the avant-garde scene, and a member of two of jazz’s most important groups: the John Coltrane Quartet and Art Blakey’s Jazz Messengers. He also is a professor at the New School’s College of Performing Arts in New York City, where he has been teaching since 1987.
Workman started on piano at first but eventually settled on bass by high school while growing up in Philadelphia, Pennsylvania. After working with Freddie Cole and Gigi Gryce throughout 1958, he became a member of the John Coltrane Quartet in 1961, participating in such legendary recordings as Live at the Village Vanguard, My Favorite Things, and Africa/Brass. From 1962 to 1964, Workman played in Art Blakey’s Jazz Messengers with one of the great lineups for the band. He then worked with Yusef Lateef’s group before becoming the go-to bassist for Blue Note records throughout the 1960s and early 1970s due to his ability to play in any style. He appeared on many recordings for Booker Ervin, Abbey Lincoln, Lee Morgan, Max Roach, Archie Shepp, Wayne Shorter, and Mal Waldron, among others. He also worked with many of the major players in avant-garde jazz, such as Marilyn Crispell, Andrew Hill, Jeanee Lee, Butch Morris, David Murray, Sam Rivers, and Cecil Taylor.
Workman led his own groups—the Reggie Workman Ensemble and Top Shelf—as well as appearing in collaborative groups, such as the Super Jazz Trio with pianist Tommy Flanagan and drummer Joe Chambers, Trio 3 with saxophonist Oliver Lake and drummer Andrew Cyrille, and Brew with drummer Gerry Hemingway and kotoist Miya Masaoka.
Workman branched out into the production side of music, such as staging the Artists Alliance series in 1985 and later the Sculptured Sounds Music Festival, an artist-driven festival of futuristic concepts in music as well as physical theater productions. He launched the African-American Legacy Project, a celebration of the legacy of African-American composers that participated in workshops and concerts at Lincoln Center and the Harlem School for the Arts, and presented selections of John Coltrane’s Africa/Brass sessions.
In 1970, Workman cofounded the historic Collective Black Artists, and in 1990 cofounded MADLOM with choreographer Maya Milenovic Workman, a nonprofit performing arts laboratory for students from three to 18 in age. At the New School, Workman has implemented programs such as the Bass Ensemble Workshops, the Futuristic Music Ensemble, the Coltrane Ensemble, and the Jazz Master Class Series. In addition to teaching, he mentors students as well, sharing his extensive knowledge of jazz history and music. Some of the students he has worked with have gone on to become highly acclaimed artists in their own right, such as Lakeisha Benjamin, Avishai Cohen, James Francies, Robert Glasper, Roy Hargrove, Jose James, and Brad Mehldau.
Reggie is currently collaborating on a documentary film about his unique life experience, all while writing two autobiographies. He is also working on two theater productions (Dos Worlds, Ophelia), plus live performances with Trio Three.
Workman has received numerous awards for his achievements as a musician and jazz educator, including the Life Achievement Award by the Jazz Foundation of America (1997); the citation of excellence from the International Association of Jazz Educators (1997); the Mid Atlantic Arts Foundation’s 1999 Living Legacy Award (1999); Doris Duke Impact Awards (2015); John Simon Guggenheim Memorial Foundation (2020); National Endowment for the Arts Jazz Master (2020).
Yayoi Ikawa - piano
Born in Tokyo, Japan, but raised musically in New York, pianist/composer Yayoi Ikawa is an experience of ingenuity and compassion. Using music as a powerful communicational tool, Yayoi strives to lift humanity through understanding and encouraging herself and others.
After recording a straight-ahead jazz piano trio on Nippon Crown release “Angel Eyes” in 2004, she self-produced “Color of Dreams” displaying her original compositions. Since then her group has featured in various music festivals and concerts in U.S., Italy, Japan, Costa Rica Guadeloupe, and Martinique. In 2008, Yayoi started “The Bridge Project” to create musical dialogues between different cultures. Based on that experience, she often plays the role of coordinator. In 2000, she assisted a legendary producer Jim Luce to create an online solo piano concert series “Love Letter from New York” featuring New York’s finest jazz pianists. In 2021, she was a coordinator for a multi cultural performance event “Jazz United” by Japanese Radio Station Jazz.net.
Hosted by Keanna Faircloth Keanna Faircloth is the host of Afternoon Jazz and online interview series The Pulse on WBGO 88.3 FM in Newark, NJ. She got her start on-air at WPFW 89.3 FM in her hometown of Washington, DC in 2003, most recently as the host of Late Night Jazz: The Continuum Experience. She is a graduate of Howard University, having majored in Music History with a minor in Classical Piano. Keanna has written for NPR Music and worked for Radio One as an on-air personality, producer, and voice-over talent. She is also the host of Artimacy: The Podcast, where she has interviewed artists like Wynton Marsalis, Matthew Whitaker, Jonathan Butler, and Dionne Warwick. As a result, she was recognized by Radio Ink Magazine as a 2019 African-American leader in radio.
In the realm of television, Keanna has hosted a Jazz lifestyle magazine television series called Jazz Encounters and the self-produced YouTube series entitled “...It Was All a Dream”. Additionally, she is an actress having performed in numerous theater productions at The Kennedy Center for the Performing Arts, the Warner Theater, and the historic Lincoln Theater in Washington, DC. She also appeared in the independent film Jazz in the Diamond District. Her overall mission to connect the Jazz of yesteryear to the sound of today is what drives her, and she plans to continue to perpetuate the idea of "Sankofa" - to "go back and get it" - in an effort to ensure the future of Jazz for generations to come.Reggie Workman - bass, percussion
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